Published in Overland Issue 220 Spring 2015 · Uncategorized Austerity Kate Lilley The person honourable, the crimes austere. In circumstances of woodland decay well suited to delinquency she got her youthful face for a song. Now she’s over it, fortune favours etc. Fortis non ferox. The mood’s hard driving and it’s dirty work. Paradiastole prevails, redescribing vices as virtues. Stoic, sceptic, epicurean: count the lessons and clean up as you go. Inculcate the sense of a person speaking to someone who cares. Kate Lilley Kate Lilleyis a queer poet-scholar. Her three books of poetry are Versary, Ladylike and, most recently,Tilt, winner of the Victorian Premier’s Award. Recent poems have appeared in Griffith Review, Australian Poetry Journal, Rabbit and Plumwood Mountain. She is the editor of Margaret Cavendish: The Blazing World and Other Writings (Penguin Classics) and Dorothy Hewett: Selected Poems (UWAP). More by Kate Lilley › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.