Published in Overland Issue 220 Spring 2015 · Uncategorized Young folly John Tranter It must seem like a mountain of folly to the old people, but we take our chances and we’re always on the ready. We’re on the ready, right now, and yet they think we’re just a troubled handful of trouble, just can’t go straight, can’t go straight like the arrow of time that speeds from ancient times to right now to get you between the eyes. This is the realm behind the eyes, with its whip-quick answers to how to behave, its cheap vow to be better, much better, quickly broken so that what is not better is boarding at boarding time, those giant flying machines. We take a drag, and fuck the lung. Fuck the drag of the air, the horizon’s curve. We’re all going on a summer holiday, already gone into sad age waiting, with just a wave. ‘Young folly’ began as a draft using the end-words of ‘The young’ by Roddy Lumsden John Tranter John Tranter is an Australian poet, publisher and editor. More by John Tranter › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.