Published in Overland Issue 220 Spring 2015 · Uncategorized Autumn poem Fiona Wright I am ankle-deep in leaves and though the days burn bright the fast-falling evening has a bite now: I watch a small child pointing with blunt fingers (yours are moon-like, soft, nails longer and lovelier than mine) at the desiccating leaves along the footpath, more rubbish! she cries, more rubbish! more rubbish! and I walk home past three damp-cornered houses in which I used to live: autumn is soft and slow and spacious. I think of how I curled away from my cold feet hooked behind your knees, each finger in between yours. I still fear that there’s a hollowness within me. For a moment on the freeway the next morning, a huge crow hovers in the middle of my windscreen. They too are smarter then they need to be, and I wonder if they feel it like I feel it, wing-dark and sinking. There’s a crack in the skin of things, the dry air. Fiona Wright Fiona Wright’s new essay collection is The World Was Whole (Giramondo, 2018). Her first book of essays Small Acts of Disappearance won the 2016 Kibble Award and the Queensland Literary Award for nonfiction, and her poetry collections are Knuckled and Domestic Interior. More by Fiona Wright › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 19 February 2025 · Disability The devaluing of disability support Áine Kelly-Costello and Jonathan Craig Over the past couple of decades, disabled people in much of the Western world have often sought, or agreed to, more individualised funding schemes in order to gain greater “choice and control” over the support we receive. But the autonomy, dignity and flexibility we were promised seems constantly under threat or out of reach, largely because of the perception that allowing us such “luxuries” is too expensive. 17 February 202517 February 2025 · the arts Seeking a quieter Australia: on the silencing of Khaled Sabsabi Micaela Sahhar For five days, the Australian representative to the 2026 Venice Biennale was to be the first ever Arab-Australian artist selected for this honour.