Published in Overland Issue 219 Winter 2015 · Uncategorized Fruit bowl Tulia Thompson Here, in the first world in the North, We buy a fruit bowl woven out of cane for CAD$8.00 at a fair trade store I imagine it full of mangoes, oranges and bananas poised on the table still life evoking plentitude. You carry it on the bus jostling against your hip when we stop for lunch in Chinatown you leave it behind at the sushi place where a pony-tailed girl brings a porcelain tray of raw tuna for CAD$1.90. You travel back to claim it two buses and a walk in the hot June streets. Finally on the table, the fruit bowl tips drowsily to one side under the uneven weight of five Californian oranges. Tulia Thompson Tulia Thompson is of Fijian, Tongan and Pākehā descent. She has a masters in creative writing from the University of Auckland. She is published in Niu Voices: Contemporary Pacific Fiction 1 and Blackmail Press. Her young adult novel Josefa and the Vu was published by Huia in 2007. She blogs about social justice at www.tuliathompson.wordpress.com. More by Tulia Thompson › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.