Published in Overland Issue 219 Winter 2015 · Uncategorized Red tiki Ben Brown (New Years Day 2015 on the road between Arrowtown and Hokitika.) Bought a red tiki in a Wanaka souvenir shop for a mere six dollars eighty but red is my son’s colour even if he doesn’t know it yet. And the kitschy little atua will look outrageous hanging around his neck. The greeting card is for my daughter. It has a print on it, playful and surreal; a foundling’s dream beneath a sleeping moon. It cost nearly three times more than the tiki but the image suits her soul. I’ll mail it tomorrow from Hokitika in the envelope provided. A greeting card should be inscribed and arrive in the appropriate manner. My son will have to wait until I visit him. A red tiki must be delivered kanohi ki te kanohi. Ben Brown Ben Brown is an award-winning children’s author, poet, short story and nonfiction writer, though he has never quite been able to work out what the various distinctions are, so he refers to himself primarily as a writer. More by Ben Brown › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.