Published in Overland Issue 219 Winter 2015 · Uncategorized Call me Careo Anna Jackson You call me Careo, from far down the path that was less-travelled once: following it now I tread in the mud made by others since, pushing aside blackberry vines all blossom, no fruit. This is the time of year there are no cicadas, no flies, no crickets at night, no fruit flies on the fruit, no fruit on the ground and the ground is sodden. Mornings are sudden, storms come on slow. Following you means going anywhere to its end – if I cut across the field, I’m heading to the horizon, if entering this cave I’m entering the grave, if putting on these hunting boots, I’ll proceed in measured steps, your absence my metronome. Anna Jackson Anna Jackson is a New Zealand poet and academic. Her writing has appeared in journals and anthologies, and she has also published several collections of poetry in which the subject of family and domestic life is explored. She teaches at Victoria University Wellington. More by Anna Jackson › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.