Published in Overland Issue 219 Winter 2015 · Uncategorized Issue 219 Editorial team REGULARS Giovanni Tiso – Editorial Stephen Wright Alison Croggon Mel Campbell FEATURES Morgan Godfery Settled peacefully The stories told about our colonial histories Faisal Al-Asaad ‘In a rage almost all the time’ From Gaza to Ferguson John Clarke The things she did A eulogy Catriona MacLennan The ethics of defence Lawyers and rape trials Max Rashbrooke At a price A short history of free speech Nicky Hager Loose lips Working with whistleblowers Scott Hamilton ‘Pass the ta’e please’ Tonga after Futa Helu Anton Blank Change is the only constant On gay role models FICTION Jolisa Gracewood – Fiction editorial Tina Makereti – Monster Pip Adam – Zero hours Lawrence Patchett – Intruder POETRY Robert Sullivan – Poetry editorial Tulia Thompson Fruit bowl Airini Beautrais Flow Nicole Hawkins Māori dux Anna Jackson Call me Careo Ben Brown Red tiki Selina Tusitala Marsh Cumming Reihana Robinson Terra nullius Kiri Piahana-Wong Hiding Murray Edmond His poetry: a paragraph in its defence Apirana Taylor thank you pukana Rachel J Fenton Exhumed at Earth’s end ARTWORK Marian maguire Editorial team More by Editorial team › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.