Published in Overland Issue 218 Autumn 2015 · Uncategorized Issue 218 Editorial team REGULARS Jeff Sparrow – Editorial Alison Croggon Mel Campbell Stephen Wright Giovanni Tiso Contributors FEATURES Khalid Warsame The authentic writer self CAL–Connections essay series Christopher Scanlon Happiness™ The dark side of positive psychology Jennifer Down The end Overcoming grief Kirsten Tranter Go, little book On being reviewed Tony McKenna The politics of deduction The secret of Sherlock Holmes Michael Brull A tale of two settler colonies Australia and Israel compared SAFDAR AHMED The Refugee Art Project Drawing behind the wire John McLaren Bias Australian? Revisiting Overland’s early decades FICTION prizes Jennifer Mills VU prize judges’ report Paddy O’Reilly Story Wine prize judges’ report FICTION Madelaine Lucas Dog story Michelle Wright Late change Kyra Giorgi The circle and the equator Leah Swann That inward eye Ali Alizadeh Samira was a terrorist POETRY John KInsella Emily Stewart Tim Thorne Beth Spencer Ben Walter Phillip Hall Nathan Curnow Brendan McDougall Mark O’Flynn Dusk Dundler Cassandra Atherton Martin Kovan ILLUSTRATIONS Léuli Eshraghi Lily Mae Martin Fikaris Mahla Karimiyan Sam Wallman Merv Heers Madina sayar Anton Pulvirenti Alwy fadhel COVER ART Richard Lewer Editorial team More by Editorial team › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 5 June 20265 June 2026 · Friday Fiction Hobo portraits: Treadly Tim & the falling star Patrick Holland We crossed the half-buried railway line and the crazy man known as Treadly Tim turned a corner around the van park on Simeon Street and came toward us on his Malvern Star bicycle. 3 June 20263 June 2026 · Reviews The past in the object: Vanessa Berry’s Calendar Courtney Powell In her latest book, Calendar, Vanessa Berry explores the relationships that are formed between people and material culture, both fleeting and sentimental, and how they can come to represent us.