Published in Overland Issue 217 Summer 2014 · Uncategorized Issue 217 Editorial team REGULARS Jeff Sparrow – Editorial Alison Croggon Mel Campbell Stephen Wright Giovanni Tiso Contributors FEATURES Khalid Warsame The authentic writer self CAL–Connections essay series Christopher Scanlon Happiness™ The dark side of positive psychology Jennifer Down The end Overcoming grief Kirsten Tranter Go, little book On being reviewed Tony McKenna The politics of deduction The secret of Sherlock Holmes Michael Brull A tale of two settler colonies Australia and Israel compared SAFDAR AHMED The Refugee Art Project Drawing behind the wire John McLaren Bias Australian? Revisiting Overland’s early decades FICTION prizes Jennifer Mills VU prize judges’ report Paddy O’Reilly Story Wine prize judges’ report FICTION Madelaine Lucas Dog story Michelle Wright Late change Kyra Giorgi The circle and the equator Leah Swann That inward eye Ali Alizadeh Samira was a terrorist POETRY John KInsella Emily Stewart Tim Thorne Beth Spencer Ben Walter Phillip Hall Nathan Curnow Brendan McDougall Mark O’Flynn Dusk Dundler Cassandra Atherton Martin Kovan ILLUSTRATIONS Léuli Eshraghi Lily Mae Martin Fikaris Mahla Karimiyan Sam Wallman Merv Heers Madina sayar Anton Pulvirenti Alwy fadhel COVER ART Richard Lewer Editorial team More by Editorial team › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 1 6 November 2026 · Friday Fiction Headland Harry Goddard He must have still been sore. I could tell from the winces he made as he scooted down the trail. Some unspoken agreement of not hitting other people’s children — and the circumstances of me not being that type of kid — spared me from the same punishment. I was taken to my parents who agreed I would have to work off the damages, and I must have mowed the lawn once, or cleaned the family car. 4 November 2026 · Film MIFF, Minotaur and the politics of maternal reception Alicia Byrnes Maternal labour is, in the terms I’ve set out here, not labour at all. Noisy, unfocused, mobile, perhaps even sleepy — it is an affront to arthouse film viewing and therefore unserious.
