Published in Overland Issue 215 Winter 2014 · Uncategorized Desire Luke Best After Song of Solomon Desire consumes me in this, a dream: I’m flat on my back ’neath the tower of David. Spring is pregnant to Winter. The sky is a bladder, stretched and sewn at its edge. I search for clouds though there is nothing in my pockets or up my nose. Before me you take form; cloud-like. Unlike Cirrus, you are not a puny wisp, nor like Stratus; pubescent tufts of fluff. You are Cumulonimbus; a great risen plume over Mt Zion. My son is in your womb. He has not yet learnt the contours of this planetary mess nor felt the rage that is necessary to drown it. We’ll see that he does – You lower yourself to me. Your gown slips from your back like the tent curtains of Solomon. Your hair is a hessian veil. Your lips drip with myrrh. Your waters break. Luke Best Luke Best is a poet from Toowoomba, Queensland. More by Luke Best › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.