Published in Overland Issue 213 Summer 2013 · Uncategorized Cloud burst Samuel Wagan Watson for TS Eliot Cloud burst, and another sky falls. A blight of sun causes all feather to lose flavour in the wind. But our children will still have their mobile phones and dial the clouds in angst of predator drones. The crows are gone and broken windows only catch the breaths of dying trees. No matter how sorry the horizon, a child’s foresight will always wonder of the beauty in a falling sky. ‘Look Mumma … a death bird!’ But Mumma doesn’t look at the sky since it has soured. Mumma takes a peg and pins a damp sheet to the flimsy clothes hoist. Mumma counts the kinks in the wire and measures her own life – line. ‘Mumma can’t look now baby, there may not be any sunlight tomorrow …’ And then Mumma takes the small child inside their shelter, abandoning the weathered fabric to subtly dance alone; it could be tomorrow’s death shroud? And this is the way the world ends, And this is the way the world ends, And this is the way the world ends. As the clouds quietly burst, Not with bang, but a lethal breeze. The sky is falling, ghosts take shelter in shadow and the air cries foul … Samuel Wagan Watson Samuel Wagan Watson is a Brisbane-based writer of Germanic and Wunjaburra ancestry. In 2018 his body of work was granted the Patrick White Literary Award. More by Samuel Wagan Watson › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 27 February 202527 February 2025 · ecology Keeping it in the ground: pasts, presents and futures of Australian uranium Nicholas Herriot Uranium has come a long way from the “modern Midas mineral” of the 1950s. However, in an increasingly dangerous, militaristic and volatile world, it remains a lucrative and potentially lethal metal. And it is so important precisely because of its contested past and possible futures. 25 February 202525 February 2025 · the arts Pattern recognition: censorship, control and interference in Australia’s art ecology David Pledger My final thoughts go to the artist and curator who have borne the brunt of this injury. Selection for the Venice Biennale is a significant event for an Australian artist and curator. To be treated so shabbily must cause pain to both. One can only hope the outcry of fellow artists, the solidarity shown by many, and the strong stance of their shortlisted colleagues, provides some succour.