Published in Overland Issue 212 Spring 2013 · Uncategorized This Robert Verdon garden has a history like the great white-capped wall built across the horizon seen from the Snowy Mountains Highway before Nimmitabel in early spring which comes up with the onions planted in memory one millennium they will be dug in, back into the magma … the hot garden under the frame watching the worms escape a lazy child, just watching stretching, fetching things begrudgingly and bored but disinclined to work, or play just watching, dreaming being a pod of dolphins diving across the waves like waves while the garden grows and I am old snow falling deeper every day life rushes like a tabla words curl like worms in the sun my frame of plastic broken by the cats and my one cactus left run wild and this … Robert Verdon Robert Verdon is a Canberra-based writer of poetry and prose. He came second in the 2012 WB Yeats Poetry Prize. More by Robert Verdon › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.