Published in Overland Issue 211 Winter 2013 · Uncategorized Natural editors Stella Rosa Mcdonald Twelve tuna, caught by a storm, split from the harbour and arrive in the Watson’s bay swimming pool. A set of twins enter with knives. They bleed and butcher as mute instructions pass between them. (One looks at the fish in the night and thinks, ‘God’s country’, the other takes a photo to prove it.) Life’s next, as they crop then render the particular order of events, make lists of attendances, debts unpaid. On scales they put street fights, car accidents, pissed hook ups, the question of who spewed in the bath and how it was exactly that a cuckoo came to land in the Moreton bay fig outside their house. They rarely think of shadows, but even dark matter might unravel if they shone a light. Two in orbit, they endlessly recall and fracture stories until legends disappear through the holes of missing parts. The world is solved as they empty out the universe of unnecessary stuff. Until all that is left and sure is an end tied neat like a surgeons knot. Stella Rosa Mcdonald Stella Rosa Mcdonald is an artist and writer based in Sydney. More by Stella Rosa Mcdonald › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 18 December 202418 December 2024 · Nakata Brophy Prize Dawning in the rivulet of my father’s mourning Yasmin Smith My father floats words down Toonooba each morning. They arrive to me by noon. / Nothing diminishes in his unfolding, not even the currents in midwinter June. / He narrates the sky prehistorically like a cadence cutting him into deluge. 16 December 202416 December 2024 · Palestine Learning to see in the dark Alison Martin Images can represent a splice of reality from the other side of the world, mirror truths about ourselves and our collective humanity we can hardly bear to face. But we can also use them to recognise the patterns of dehumanisation that have manifested throughout history, and prevent their awful conclusions in the present. To rewrite in real time our most shameful histories before they are re-made on the world stage and in our social media feeds.