Published in Overland Issue 211 Winter 2013 · Uncategorized Vietnam ritual Barry ODonohue Sitting in the primordial light of jungle each day I placed a finger on my forehead, then on my chest where the bullet would strike. Then I would rest the palm of each hand on my knees, soon to be blown away by a Russian mine, and watch the smoke from my Marlborough drift into the tangled vines and rain forest trees as if the world were on fire and the world was a small place. We’d get up then, in single file, me breaking through the wall being the first, being the scout. At night starts struggled through the high canopy pin points against the dark and I would curse the nature of my flesh for it was intact, not torn apart. I slept in a scrape hole on the jungle floor, my grave, knowing that tomorrow I would perform that wretched ritual again, where the bullet would strike, or my limbs blasted against trees. Now I am young but in old flesh. I gave up smoking. What doesn’t kill you . . . The marks on my forehead and chest are stigmata, knees gone to titanium, and all the stars that were then and are now have gone in to their own war, galaxies to the north. Barry ODonohue Barry O'Donohue is a Brisbane-based poet who has been writing for 40 years. More by Barry ODonohue › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 19 February 2025 · Disability The devaluing of disability support Áine Kelly-Costello and Jonathan Craig Over the past couple of decades, disabled people in much of the Western world have often sought, or agreed to, more individualised funding schemes in order to gain greater “choice and control” over the support we receive. But the autonomy, dignity and flexibility we were promised seems constantly under threat or out of reach, largely because of the perception that allowing us such “luxuries” is too expensive. 17 February 202517 February 2025 · the arts Seeking a quieter Australia: on the silencing of Khaled Sabsabi Micaela Sahhar For five days, the Australian representative to the 2026 Venice Biennale was to be the first ever Arab-Australian artist selected for this honour.