Published in Overland Issue 209 Summer 2012 · Uncategorized Winter war Maria Takolander At dawn the birch trees are ice-smacked: shocked and glassy. The man limps across the snow, like a toad, his only illness memory. Light presses against his eyes, like a shard of the bottle he broke over the night — though it was the evening, softer than skin, that had tempted him from hiding. He recalls the suckling: iron-bitter as the earth, yet river-silken. Then the black sky: pricked with stars like a medieval device and cold as iron. How the birch trees, pale as naked men, were flayed against them. Maria Takolander Maria Takolander is the author of a book of poems, Ghostly Subjects (Salt Publishing 2009), which was shortlisted for a Queensland Premier’s Literary Award in 2010, and her poems have appeared annually in The Best Australian Poems (Black Inc.) and/or The Best Australian Poetry (UQP) since 2005. She was recently awarded an Australia Council grant to complete a collection, The Double, which will be released by Text Publishing in 2013. She is a Senior Lecturer in Literary Studies and Creative Writing at Deakin University in Geelong. More by Maria Takolander › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.