Published in Overland Issue 209 Summer 2012 · Uncategorized Pillage John Kinsella The museum’s frog info site is sponsored by Alcoa, a company more responsible for the destruction of Hills frog habitat than any other. I went to confirm a childhood memory, and realised those tadpoles and froglets and juvenile frogs we stole from their homes under the spillway of Churchman’s Brook Dam, or from creeks or banks of those creeks downstream that still ran unhindered by engineering, to lift and bottle and translocate to our garden pond (a kind of liberty, we imagined: an old concrete double-sided washtub with its dividing wall smashed through and plughole cemented and buried, so soil and grass lapped its banks), were already or would become Moaning Frogs and Motorbike Frogs. Both defined by their noise, and not their psychologies or composition. We’d observe tadpole conversions. Alcoa mines bauxite. Aluminium comes from bauxite. Each act of extraction is lexical and contrite as donation. No E. M. Forster requirements for narrative are required to tell this story. Its outcomes. Though the sensation of frogskin on your skin was more than citation. And it is with more than détournement that we touch aluminium. John Kinsella John Kinsella’s collected poems have been published by UWAP as The Ascension of Sheep (2022), Harsh Hakea (2023) and Spirals (early 2024). His verse novel Cellnight appeared with Transit Lounge in 2023, and his anti-epic, Argonautica Inlandica, with Vagabond (2023). A recent critical work is Legibility: An Anti-fascist Poetics (Palgrave, 2022). More by John Kinsella › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 5 November 20245 November 2024 · Reviews True dreams: Martin Edmond’s Conrad Dougal McNeill Witnessing, reading through this absorbing, elegant, careful example of the art, is always a kind of mourning, and Conrad, an author for whom writing was “the conversion of nervous force into phrases,” is the perfect figure to focus Edmond’s ongoing work of mourning. 4 November 20244 November 2024 · Palestine The incarceration of Indigenous and Palestinian children: a shared legacy of settler colonialism Sarah Abdo In Palestine, children are detained as a means of maintaining the occupation and suppressing resistance. In Australia, youth incarceration extends the legacy of forced removals and perpetuates intergenerational trauma among Indigenous communities. Children are targeted precisely because they represent the continuity and survival of their communities. This intentional disruption is not simply a matter of misguided policy but part of a broader effort to undermine Indigenous and Palestinian resilience.