Published in Overland Issue 209 Summer 2012 · Uncategorized Pillage John Kinsella The museum’s frog info site is sponsored by Alcoa, a company more responsible for the destruction of Hills frog habitat than any other. I went to confirm a childhood memory, and realised those tadpoles and froglets and juvenile frogs we stole from their homes under the spillway of Churchman’s Brook Dam, or from creeks or banks of those creeks downstream that still ran unhindered by engineering, to lift and bottle and translocate to our garden pond (a kind of liberty, we imagined: an old concrete double-sided washtub with its dividing wall smashed through and plughole cemented and buried, so soil and grass lapped its banks), were already or would become Moaning Frogs and Motorbike Frogs. Both defined by their noise, and not their psychologies or composition. We’d observe tadpole conversions. Alcoa mines bauxite. Aluminium comes from bauxite. Each act of extraction is lexical and contrite as donation. No E. M. Forster requirements for narrative are required to tell this story. Its outcomes. Though the sensation of frogskin on your skin was more than citation. And it is with more than détournement that we touch aluminium. John Kinsella John Kinsella’s most recent poetry books include the verse novel Cellnight (Transit Lounge, 2023), The Argonautica Inlandica (Vagabond, 2023), and the three volumes of his collected poems: The Ascension of Sheep (UWAP, 2022), Harsh Hakea (UWAP, 2023) and Spirals (UWAP, 2024). A recent critical book is Legibility: An Antifascist Poetics (Palgrave, 2022). More by John Kinsella › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.