Published in Overland Issue 209 Summer 2012 · Uncategorized Types Jal Nicholl supervene on the typical nonsense from afar asemic street and business signs What’s the point trying on a garment you know is neither your size nor style? of telling a story in which no-one will recognise any of their selves? Might as well form a ménage à trois and share beautiful feelings with the woman you love and the man she loves in France in the 18th c. and not say anything for fear of the pain it might cause the misunderstanding It isn’t that she likes soldiers per se or anyway not exclusively: just that she grew up in a military town, her father a tough guy, a real alpha male who was hardly ever around Jal Nicholl Jal Nicholl possesses high-level communication, interpersonal and problem-solving skills and is proficient in Microsoft Office. His poems have appeared in the Age, Best Australian Poems, Overland and other venues. More by Jal Nicholl › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.