Published in Overland Issue 207 Winter 2012 · Uncategorized To Nina Pam Brown once upon a time 19 hundred 68 is over is thin politics dashed, disconnected, diachronicity indicating technology’s noisy cataclysm & flashing strobe boxed in a dusty garage 19 hundred 98 is over is how to scratch the future when it’s gone, thinking pastness is up ahead 20 oh 8 is over is atmospheric brooding, interpretation rules the day, the weeks, years, the centuries sliding in to hide beneath the warmth of flock and shoddy, ruffling dust in the circuitry 20 ten is nothing else – laser beam a pilot’s eyes, upstage an apocalypse, my ten cent technophile you’re in my echo chamber, my feedback loop 20 twelve is corporately social, filtered, nothing deviant here, hop away now, recharge, unencumbered & unapologetic Nina – an entry in a ledger, all’s big data Pam Brown Pam Brown has published many chapbooks, pamphlets and full collections of poetry, most recently Stasis Shuffle (Hunter Publishers, 2021). She lives in a south Sydney suburb on reclaimed swampland on Gadigal Country. More by Pam Brown › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.
