Published in Overland Issue 207 Winter 2012 · Uncategorized Wireless David Prater The tower was locked (its future being chained to the mast like a breeze crossed with water from the past tense (that immense wall of sound’s collage (its anagram eye, loveless wireless) abstract but intact. Your childhood lies like party lines populated by ghosts (some Fenian, others pulled from the CSIRO telephone directory. The first email (never sent cced Gaia but bounced. So it goes … (that manual exchange inside a powerhouse (a museum exhibit etched in charcoal rides the lightning (killing composers, developing in still-life. Meanwhile, father’s crystal set gathers dust in a council tip. The volume & tuning knobs had fallen off anyway, replaced by one cent coins (also obsolescent. A smell it gave off when ‘live’ could trigger memories you never knew you had back then, in the then when events unfolded in a logical fashion, proceeding to their happy ending, or a lesson (the Masonic Temple’s front yard littered with broken glass, dead weeds (ah that crazy guy who ran screaming down the street (that joke about Oddfellows isn’t so funny now, in his aftermath, the grey dawn of dead things screwed into the sky (that line of furrows from the ground wavered across his forehead, an object of ridicule allowed one last laugh (surprised to end up on someone’s thrown-away camera (your soul locked inside a mangled memory chip (just an SD card away from rapture (or was it repatriation? as shards of laughter escaped from the abandoned sun memorial (a sound came out of the blue sky like, as if from nowhere (a disembodied voice he thought he’d heard on the antique television set describing Vietnam was God (turned out it was the government (calling him up. David Prater David Prater was managing editor of Cordite Poetry Review from 2001 to 2012. His first poetry collection, We Will Disappear, was published by papertiger media in 2007, and Vagabond Press published his chapbook Morgenland in the same year. He lives and works in Stockholm. Visit his website http://daveydreamnation.com More by David Prater › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 14 February 202514 February 2025 · Poetry 9 to 5 Dave Drayton volunteer to clown / undermine an award / construct to heave / interfere in class / dismantle if civil / disregard no cause / freelance at ennui 1 13 February 202514 February 2025 · Reviews Echoing of the white gaze in Evie Wyld’s The Echoes Karen Wyld Wyld’s creation of voiceless-nameless-lifeless Blak people in The Echoes serves no narrative purpose. This novel is not truth-telling of invasion and occupation, and it does not envision justice for Aboriginal and Torres Strait Islander peoples. Instead of rejecting or confronting lazy literary tropes and colonial-style narratives, the author has erased Blak voices, bodies, histories and futures, adding her own voice to a never-ending echo of white-gazed literature when silence would have been better.