Published in Overland Issue 206 Autumn 2012 · Uncategorized Sunday poem Fiona Wright Rotate the potato. A labrador is happiest collecting kindling. While the football’s on in the other room we salt the pigskin: O, giver of gout. Brie suctions the wooden platter. Wisteria bruises on the patio. We’ll lock away the candles when the baby learns to crawl. There’s an eggplant outside for you. The stovetop coils sing. You have to take the batteries from the smoke alarms before it crackles. You need new shoes. The dogs haven’t had their breakfast. I haven’t used that bowl since Christmas She boils beans until they look like paper mâché. Ups-a-daisy-daisy-do! The leather lounges shriek when you sit down. Your bedroom still has stickers on the ceiling. He’s got good wrists for flicking teatowels. I’m still having trouble with my pannacotta. The cap of the sauce bottle has scabbed over. Six proteas sit in a cut-glass vase. Take a concrete tablet and harden the fuck up. There are sewing pins in the spice rack. My father’s fingers always get the crisp bits first. It’s been a big week. What’s this one infused with? Pass the gravy, fathead. Fiona Wright Fiona Wright’s new essay collection is The World Was Whole (Giramondo, 2018). Her first book of essays Small Acts of Disappearance won the 2016 Kibble Award and the Queensland Literary Award for nonfiction, and her poetry collections are Knuckled and Domestic Interior. More by Fiona Wright › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying. 18 December 202418 December 2024 · Nakata Brophy Prize Dawning in the rivulet of my father’s mourning Yasmin Smith My father floats words down Toonooba each morning. They arrive to me by noon. / Nothing diminishes in his unfolding, not even the currents in midwinter June. / He narrates the sky prehistorically like a cadence cutting him into deluge.