Published in Overland Issue 201 Summer 2010 · Writing / Main Posts Aperture James Stuart Brief squalls of blue, spliced between persistent rain. Scene 4: a pair of black swans drift towards sunset, slow tilt at a finite problem – soft-lighting perhaps? But the rugby fan behind me unwraps a hotdog, wrapper branded Hans Small Goods, & the Waikato Chiefs score again. Near Bulli Pass, an isolated stag hoofs it across the freeway’s shock of headlights, edging away from Venison Weekend at the Austrian Club. Each of us holds this sensation of acceleration, approaching the drawn-out smudge which may yet be mountain range blurred against a graphite sky. Even in rewind, you look older in the makeup mirror in your hip pocket, kept for such doleful occasions. With a flick of the wrist, you interlock its circles like a lens though a quick survey of the foreground brings the distance, like a taciturn stranger, too close for comfort. Ambling along this alpine lake’s gravelly shores, petrified wood crumbles at a touch, each piece strewn into place before the crowd snaps the reverie with a gasp. The train is a cue; we shuffle into platform gaps, fingering this thought or that, licking our lips in anticipation. If there is room here – enough for everyone – invite the rugby fans, our collected friends, even the swans, who barely register our shapes from so high above, as we move into & out of focus, signposting this explicable mist. James Stuart James Stuart’s most recent projects include Conversions, an exhibition of poetry in translation (Chengdu, Suzhou and Beijing). He was a 2008 Asialink Literature Resident in Chengdu, China, supported by the Australia Council and Arts NSW. More by James Stuart › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 11 December 202411 December 2024 · Writing The trouble Ken Bolton’s poems make for me, specifically, at the moment Linda Marie Walker These poems doom me to my chair and table and computer. I knew it was all downhill from here, at this age, but it’s been confirmed. My mind remains town-size, hemmed in by pine plantations and kanite walls and flat swampy land and hills called “mountains”. 4 October 202418 October 2024 · Main Posts Announcing the Nakata Brophy Prize for Young Indigenous Writers 2024 longlist Editorial Team Sponsored by Trinity College at the University of Melbourne and supporters, the Nakata Brophy Prize for Young Indigenous Writers, established in 2014 and now in its ninth year, recognises the talent of young Indigenous writers across Australia.