Published in Overland Issue 201 Summer 2010 · Writing / Main Posts Terminus Fiona Wright Little remains at track. Creepers, winding where the graded bed has grown so dank and soft it sponges at my toes. I sift the ballast, lift a stone, a sour-milk stem clings to its crevices, clasped in a veinery of roots. Sections of supporting walls remain at street level. The paint flakes scab under my fingers. The sun scrambles for the girders and gridlocked cars reverberate. Their drivers are silent. The blackened bricks leave crumbs on my clothes. Shortly before electrification. When I was young. I curled my fingers off my ticket-stub and caught the slipstream of the shunting carriages. I smelt soot in my hair for days, sour as fear. You never looked behind. Fiona Wright Fiona Wright’s new essay collection is The World Was Whole (Giramondo, 2018). Her first book of essays Small Acts of Disappearance won the 2016 Kibble Award and the Queensland Literary Award for nonfiction, and her poetry collections are Knuckled and Domestic Interior. More by Fiona Wright › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 March 20262 April 2026 · Main Posts Final results of the 2025 Judith Wright Poetry Prize Editorial team Established in 2007 and supported by the Malcolm Robertson Foundation, the Overland Judith Wright Poetry Prize seeks outstanding poetry from new and emerging writers. This year’s judges, Shastra Deo, Harry Reid and […] 20 March 202620 March 2026 · Main Posts Final results of the 2025 Neilma Sidney Short Story Prize Editorial team Established in 2007 and supported by the Malcolm Robertson Foundation, the Overland Neilma Sidney Short Story Prize seeks outstanding original short fiction of up to 3000 words themed loosely around the notion […]