Published in Overland Issue Audio Overland II: Resistance · Writing Flag and future Ngwatilo Mawiyoo Ngwatilo Mawiyoo Poet and writer Ngwatilo Mawiyoo’s new research explores the lives of 20 rural Kenyan families over 200 days. She plans to share her experience on Kenyan and international radio and other digital platforms, and thereafter publish a book of poems (and essays), to follow her critically acclaimed first collection, Blue Mothertongue (2010). The collection explores notions of identity as they manifest in her native Nairobi and the African diaspora. Ngwatilo has previously showcased her work on various international stages across Africa & Europe, and has been translated to Swedish and German. She also enjoys collaborating with musicians and other artists to collectively ‘tell’ poetry in an aesthetic she dubs ‘Puesic’ [pew-zik]. Her 6track E.P album Introducing Ngwatilo (2011) showcases some of her solo and music-based collaborations. In conjunction with the Africa Centre in South Africa, Ngwatilo is an Artist-in-Residence at Bundanon Trust, Australia in April 2013. More by Ngwatilo Mawiyoo › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 11 December 202411 December 2024 · Writing The trouble Ken Bolton’s poems make for me, specifically, at the moment Linda Marie Walker These poems doom me to my chair and table and computer. I knew it was all downhill from here, at this age, but it’s been confirmed. My mind remains town-size, hemmed in by pine plantations and kanite walls and flat swampy land and hills called “mountains”. 17 July 202417 July 2024 · Writing “What is it that remains of us now”: witnessing the war on Palestine with Suheir Hammad Dashiell Moore The flame of her poetry scorches the states of exceptions that allow individual and state-sponsored violence to continue, unjustified, and unhistoricised. As we engage with her work, we are reminded that "chronic survival" is not merely an act of enduring but a profound declaration of existence.