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The Journal

Issue 260 Jul/Aug 2026

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Overland’s 260th issue is our most substantial yet. At 212 pages, it contains writing from the winners and runners-up of the 2025 Judith Wright poetry and Neilma Sidney short story prizes, as well as last year’s Nakata Brophy Prize for Young Indigenous Writers.

Across eight short stories, nine poems and five essays, this issue showcases the breadth of talent across generations: Hana Pera Aoake mounts a critique of the economies of First Nations artmaking, asking who exactly benefits when Maōri artists excel within an unregulated market predicated on individualism, while John Kinsella makes an extensive case for unoriginality as both poetic method and political resistance.

Elsewhere, Tom Gurn, winner of the 2025 Neilma Sidney prize, imagines a surreal, fractured dialogue between two speakers orbiting loss and urban adaptation. Susie Anderson’s Nakata Brophy winning story follows a Blak elder navigating council rooms as she carries the stories of those who cared for her Country’s waterways.

The issue also features new poetry by Ouyang Yu, Dorothy Lune and Dave Drayton, as well as an excerpt from Surveying the Wild Abyss, a new book by Hawkesbury elder and educator Barry Corr.

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Overland literary journal > 189 Summer 2007


189 Summer 2007

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The pleasures of reading, the NT intervention, utopianism in Paraguay, O'Lincoln contra Hamilton, the secret history of the IPA.

Issue Contents

Features
'This fascist mob'
Shane Cahill
Editorial
Torch Song
Christos Tsiolkas
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Features
Published in Overland Issue 189 Summer 2007 · Politics

'This fascist mob'

Shane Cahill
"Fascism rears its head." That was the caption the Commonwealth Security Service (CSS) - the precursor to ASIO - placed on a clipping from Smith's Weekly dated 27 March 1943. The article discussed the Institute of Public Affairs, recently convened by leaders of business and industry and underwritten by the Collins House group of mining companies.
Editorial
Published in Overland Issue 189 Summer 2007 · Writing

Torch Song

Christos Tsiolkas
It has always struck me as odd that in a country that places great store in the overseas (read Hollywood) success of ‘our actors' - as in ‘our' Nic, ‘our' Naomi, ‘our' Russ, ‘our' Cate - film reviewing culture has not developed a stronger analysis of performance as one of the elements of cinema.

Previous Issue
Queensland Poetry Awards 2020
Next Issue
Print Issue 190 Autumn 2008

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