In this highly anticipated new issue, we encounter brilliant examples of what writing can do in a hypernormal time – whether that's Benjamin Gready on the absurdity of fieldwork on land under active occupation or Zahid Gamieldien's short story about a dancing rat who finds itself enmeshed in systems too shadowy to be true. But, as with the emotional cycles of resistance, hope and snark are features too. Dan Hogan considers the lawn as a class obsession, and π.ο. asks a question: why people hate poetry? We also read about a rakhasa family who passes on wisdom to their young kin, a story by Shefali Mathew. And you’ll find new poetry by Eli McLean, Fiona Hile and Sol Chan, among others, as well as a comic by Safdar Ahmed, plus heaps more. Co-editors Evelyn Araluen and Jonathan Dunk write in the editorial, "Writing always matters, but it matters most directly in the face of this kind of thuggish assault on language, our first and last commons. We can’t let the bastards have it.”
Sriharan Ganeshan was a film photographer and journalist in Sri Lanka before fleeing the war. He documented many of the atrocities that occurred in the north, and was forced to flee his homeland 15 years ago. Sri arrived in Australia by boat and spent six years in detention before his release in 2015. Sri lives in Melbourne, has been involved with MAFA since it started in MITA detention centre in 2013, and has participated in the BriefCase exhibition at The Immigration Museum, The Whirling at NGV and had works in a recent show at No Vacancy. His main field is writing and he is working on his volume of poetry and stories called I See The Moon and The Moon Sees Me. Sri’s writing has been published in Overland, Peril, Writing Through Fences, the Key of Sea Journal and Writing From Below. He has also produced recordings of his poetry in Tamil which have been broadcast in France.
