Overland’s 260th issue is our most substantial yet. At 212 pages, it contains writing from the winners and runners-up of the 2025 Judith Wright poetry and Neilma Sidney short story prizes, as well as last year’s Nakata Brophy Prize for Young Indigenous Writers. Across eight short stories, nine poems and five essays, this issue showcases the breadth of talent across generations: Hana Pera Aoake mounts a critique of the economies of First Nations artmaking, asking who exactly benefits when Maōri artists excel within an unregulated market predicated on individualism, while John Kinsella makes an extensive case for unoriginality as both poetic method and political resistance. Elsewhere, Tom Gurn, winner of the 2025 Neilma Sidney prize, imagines a surreal, fractured dialogue between two speakers orbiting loss and urban adaptation. Susie Anderson’s Nakata Brophy winning story follows a Blak elder navigating council rooms as she carries the stories of those who cared for her Country’s waterways. The issue also features new poetry by Ouyang Yu, Dorothy Lune and Dave Drayton, as well as an excerpt from Surveying the Wild Abyss, a new book by Hawkesbury elder and educator Barry Corr.
Sriharan Ganeshan was a film photographer and journalist in Sri Lanka before fleeing the war. He documented many of the atrocities that occurred in the north, and was forced to flee his homeland 15 years ago. Sri arrived in Australia by boat and spent six years in detention before his release in 2015. Sri lives in Melbourne, has been involved with MAFA since it started in MITA detention centre in 2013, and has participated in the BriefCase exhibition at The Immigration Museum, The Whirling at NGV and had works in a recent show at No Vacancy. His main field is writing and he is working on his volume of poetry and stories called I See The Moon and The Moon Sees Me. Sri’s writing has been published in Overland, Peril, Writing Through Fences, the Key of Sea Journal and Writing From Below. He has also produced recordings of his poetry in Tamil which have been broadcast in France.
