In this highly anticipated new issue, we encounter brilliant examples of what writing can do in a hypernormal time – whether that's Benjamin Gready on the absurdity of fieldwork on land under active occupation or Zahid Gamieldien's short story about a dancing rat who finds itself enmeshed in systems too shadowy to be true. But, as with the emotional cycles of resistance, hope and snark are features too. Dan Hogan considers the lawn as a class obsession, and π.ο. asks a question: why people hate poetry? We also read about a rakhasa family who passes on wisdom to their young kin, a story by Shefali Mathew. And you’ll find new poetry by Eli McLean, Fiona Hile and Sol Chan, among others, as well as a comic by Safdar Ahmed, plus heaps more. Co-editors Evelyn Araluen and Jonathan Dunk write in the editorial, "Writing always matters, but it matters most directly in the face of this kind of thuggish assault on language, our first and last commons. We can’t let the bastards have it.”
Moya Costello has two books of short creative prose, two short novels, and one collection of prose poems published, with scholarly and creative work in journals, newspapers, anthologies and on audio and video. She taught creative writing for over ten years and is currently an Adjunct Lecturer with Southern Cross University. She has a PhD in creative writing from the University of Adelaide. She has read at many venues, judged many writing competitions, been a guest at many Australian writers’ festivals, and been awarded Australian federal and state government writing grants.
