Dženana Vucic on the subtle and not-so-subtle Marxist symbolism in Sailor Moon, John Docker, a "non-theatre person" by his own admission on The New Theatre, Sarah Schwartz on prison healthcare as punishment and the killing of Veronica Nelson, a poignant short story on memory and displacement from Nasrin Mahoutchi-Hosaini, Jeanine Leane's prize-winning poem, "Water under the bridge", and more.
Melanie Saward is a proud descendant of the Bigambul and Wakka Wakka peoples. Her work has appeared in Kill Your Darlings, New Australian Fiction, and Overland and she’s been shortlisted for the David Unaipon Award (2018 and 2020), the Boundless Indigenous Writer’s Mentorship, and the Harlequin First Nations Fellowship.