In this highly anticipated new issue, we encounter brilliant examples of what writing can do in a hypernormal time – whether that's Benjamin Gready on the absurdity of fieldwork on land under active occupation or Zahid Gamieldien's short story about a dancing rat who finds itself enmeshed in systems too shadowy to be true. But, as with the emotional cycles of resistance, hope and snark are features too. Dan Hogan considers the lawn as a class obsession, and π.ο. asks a question: why people hate poetry? We also read about a rakhasa family who passes on wisdom to their young kin, a story by Shefali Mathew. And you’ll find new poetry by Eli McLean, Fiona Hile and Sol Chan, among others, as well as a comic by Safdar Ahmed, plus heaps more. Co-editors Evelyn Araluen and Jonathan Dunk write in the editorial, "Writing always matters, but it matters most directly in the face of this kind of thuggish assault on language, our first and last commons. We can’t let the bastards have it.”
Elizabeth Jolley was one of Australia’s most celebrated writers, with a formidable international reputation. She was recognised in Australia with an AO for services to literature and was awarded Honorary Doctorates from Curtin University (1986); Macquarie (1995), Queensland (1997) and The University of New South Wales (2000). She won The Age Book of the Year Award on three separate occasions (for Mr Scobie’s Riddle, My Father’s Moon and The Georges’ Wife) and she won the Miles Franklin Award for The Well, as well as many other awards.
