On the tail of a series of sublime and haunting Australia Crime pictures to release in the post-pandemic era, Limbo joins a canon of thoughtful, skilfully made films that present a harrowing subtext about Australian society, and the inherent violence that permeates it, focusing on the Indigenous Australian struggle for the excavation of an ongoing history of oppression by the hands of White Australia.

Chucky returns as an expression of the repressed proletariat that toils in the Global South, and it manifests itself through bleeding-edge technology – something as valuable as any raw commodity stripped from the ground.