In this highly anticipated new issue, we encounter brilliant examples of what writing can do in a hypernormal time – whether that's Benjamin Gready on the absurdity of fieldwork on land under active occupation or Zahid Gamieldien's short story about a dancing rat who finds itself enmeshed in systems too shadowy to be true. But, as with the emotional cycles of resistance, hope and snark are features too. Dan Hogan considers the lawn as a class obsession, and π.ο. asks a question: why people hate poetry? We also read about a rakhasa family who passes on wisdom to their young kin, a story by Shefali Mathew. And you’ll find new poetry by Eli McLean, Fiona Hile and Sol Chan, among others, as well as a comic by Safdar Ahmed, plus heaps more. Co-editors Evelyn Araluen and Jonathan Dunk write in the editorial, "Writing always matters, but it matters most directly in the face of this kind of thuggish assault on language, our first and last commons. We can’t let the bastards have it.”
Behrouz Boochani is Adjunct Associate Professor of Social Sciences at University of New South Wales (Australia) and writer in residence at the University of Canterbury (New Zealand). He is an author and journalist who was incarcerated as a political prisoner by the Australian government on Manus Island and then held in Port Moresby (Papua New Guinea). In November 2019 he escaped to New Zealand where he was granted asylum in 2020. His book No Friend but the Mountains: Writing From Manus Prison (Picador 2018) has won numerous awards including the 2019 Victorian Prize for Literature. He is also non-resident Visiting Scholar at the Sydney Asia Pacific Migration Centre (SAPMiC), University of Sydney; Visiting Professor at Birkbeck, University of London; member of Border Criminologies, University of Oxford; Honorary (Principal Fellow) within Social and Political Sciences, University of Melbourne; Honorary Member of PEN International; and winner of an Amnesty International Australia 2017 Media Award, the Diaspora Symposium Social Justice Award, the Liberty Victoria 2018 Empty Chair Award, and the Anna Politkovskaya award for journalism. Boochani is also co-director (with Arash Kamali Sarvestani) of the 2017 feature-length film Chauka, Please Tell Us the Time; collaborator on Nazanin Sahamizadeh’s play Manus; and associate producer for Hoda Afshar's video installation Remain (2018).
