The Journal

253 Summer 2023/4

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Dženana Vucic on the subtle and not-so-subtle Marxist symbolism in Sailor Moon, John Docker, a "non-theatre person" by his own admission on The New Theatre, Sarah Schwartz on prison healthcare as punishment and the killing of Veronica Nelson, a poignant short story on memory and displacement from Nasrin Mahoutchi-Hosaini, Jeanine Leane's prize-winning poem, "Water under the bridge", and more.

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Overland literary journal > Articles by: Abigail Fisher

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Abigail Fisher

Abigail Fisher is a writer and PhD candidate at the University of Melbourne. You can find her reviews and other writing in various places online and in print, including Overland, Sydney Review of Books,Australian Book Review, Rabbit Poetry, Mascara Literary Review, Cordite, Kill Your Darlings and TEXT Journal.

Articles by Abigail Fisher:

Published in Overland Issue 248 Spring 2022 · Reviews

Feature | Bella Li: Alchemy, allegory, spectres of light

Abigail Fisher

To flip through the thick, matte pages of Theory of Colours is to wander around an abandoned theme park at dusk. Dimly, you can make out certain structures in the falling light: a hotel, a museum, a swimming pool, and various attractions harnessing the vertiginous interplay of height and depth, including mountains, valleys, towers and gaping chasms.

4 April 202218 May 2022 · Film

The revolution will not be quirky

Abigail Fisher

The French Dispatch is Wes Anderson’s most overtly ‘historical’ film to date. It is also his most Wes Anderson. His longstanding tendency toward narrative detours and aesthetic pastiche finds here its most fitting form in a kind of fragmented, nesting doll format, intended to resemble an issue of a magazine.