Published in Overland Issue 235 Winter 2019 · Uncategorized Origin story Siobhan Hodge I come from string, stringmakers and mining pots, clusters on coasts, boot in the backside of sodden sheep, clipped coats and pared hooves. I come from oil and grindings, sheen of pared gears and rank stink of tyres melting on foreign soil. I come from wind. Riding on drifts that swell over skies that want no part of their trauma, fallen things, falling things. I come from little birds on garden walls, small archways cut so that children could climb from one garden to another, calling auntie wherever a woman is found. I come from chipped mugs and fractured teeth, trampoline perils on the edge of the park at night. I come from slick pavements, dark with ice and the spotted tracks of cars struggling the ancient bends in Christmas snow. I come from the moors, lands long cropped now smeared with sheep and stuck on postcards I queue to buy with fuel. I come from cement grey beach, then yellow of builder’s sand, now white that glows to warn off sailors creeping in at night. I come from words that aren’t my own, wearing badges that claim names, snip birthmarks, swap broken backs. I come from peace, to be always going, tied to the ribs of a black mare that will never arrive where she should. Image: Dương Trần Quốc on Unsplash Read the rest of Overland 235 If you enjoyed this poem, buy the issue Or subscribe and receive four brilliant issues for a year Siobhan Hodge Siobhan Hodge has a PhD in English. She won the 2017 Kalang Eco-Poetry Award and 2015 Patricia Hackett Award. Her poetry and critical work has been published and translated widely. Her new chapbook, Justice for Romeo, is available through Cordite Books. More by Siobhan Hodge › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.