Published in Overland Issue 232 Spring 2018 · Uncategorized Her eyes | Co-winner, PEN Mildura Indigenous Writers Award Maya Hodge Eyes wide and clear, stare back at me. She is so young, who could have foreseen? Dreams like memories, are tools of reflection. They bring forth notions, which are often deflected. In her eyes I did see, old remnants of memory. Long forgotten over the years, almost like a reverie. Of times where problems were not of concern, where parents coddled and absorbed. Absorbed the often sad truths of life, which are frighteningly prickly and barbed. Times of imaginary worlds, of climbing to the tops of trees. Eating sweet figs from these trees, and gazing into the beyond carefree. As I stared and stared into her eyes, I began to slowly realise. How exquisite her childhood was, before burdens allowed her to capsize. This child will grow to the lull of Norah Jones, drifting about the house as if a chant. Singing words like an artist wielding a brush, her words like rain on a dry plant. Her mother a steadfast rock, the warmth of her hugs reassuring. Her sadness leached into her own, though with this her endurance. The colour of her skin, like a bright beacon. It is what sets her a part, and will ensure she will not weaken. All this I saw as I stared and stared into her eyes, she looked and looked into mine. As I smiled she smiled too, this young girl with Lardil bloodlines. She was me and I was her, her small face upturned. As I awoke I vowed to be just like her, and enjoy the small things of this world. We never know how much time we have, so do the things that bring us bliss. Care for one another, this Earth and our health, and be sure to love like a tender kiss. Through the window of her soul, I saw what we each possess. A child’s heart is not feeble, which we all try to suppress. Image: Figs / Bronwyn Quilliam Read the rest of Overland 232 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Maya Hodge Maya Hodge is a second year art history and curating student at Monash University. Maya grew up in Mildura and moved to Melbourne in order to study. She is a joint recipient of the Mildura Indigenous Writers Award (2017) and continues to write in her spare time. More by Maya Hodge › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 18 December 202418 December 2024 · Nakata Brophy Prize Dawning in the rivulet of my father’s mourning Yasmin Smith My father floats words down Toonooba each morning. They arrive to me by noon. / Nothing diminishes in his unfolding, not even the currents in midwinter June. / He narrates the sky prehistorically like a cadence cutting him into deluge. 16 December 202416 December 2024 · Palestine Learning to see in the dark Alison Martin Images can represent a splice of reality from the other side of the world, mirror truths about ourselves and our collective humanity we can hardly bear to face. But we can also use them to recognise the patterns of dehumanisation that have manifested throughout history, and prevent their awful conclusions in the present. To rewrite in real time our most shameful histories before they are re-made on the world stage and in our social media feeds.