Published in Overland Issue 229 Summer 2017 · Uncategorized Fiat in Turin Michael Farrell We’ve gone inside with the bluebells, literary bluebells naturally. I am in your shirt pocket, where I always wanted to be. New Order plays somewhere outside but it’s borderline dance music for me, and I freeze, and – from inside your pocket – put the water in with the tea And what the lover did to the mower, I do to Fiat’s workers in Turin Perhaps however that’s another me, another blow-in consultant, another bird on another wind. Two of us playing discus, eating biscuits, a musical two obviously And what Fiat in Turin did to its workers, you do to my thoughts and me Inside the yard, but outside Italy. Grass tips in your hair like a mower’s ‘Bohemian Rhapsody’ under the noise, as dandelion and co appear to be destroyed. Haha laughs a fictional rat, did you get that? Like a poet need record an execution for a general reader’s thrills. Two of us in the mailbox, getting snailed on. Not the same two, logically And what grass seeds did to the mower’s lungs I do to the workers of Fiat in Turin Poems go into and out of minds. Think of Tennyson in the mind of Roger Casement. Think of the same poem in the mind of Queen Victoria at the same time. Two of us in the basement but never mind that. Superfluous rhymes were a thing of the time. Critics disagree on Wordsworth all the time. I spend my time looking for someone while at home, while someone else is looking for home. They could be on their way there. Lighten up. The Fiat workers will all be dead soon. The factory managers too. Shine a light on the way terrorism was used as an excuse to dismantle a workforce. Two of us printing t-shirts. Think of John Lennon living long enough to read Simon Jarvis And what the mower did to the dandelion and the dandelion’s friends, I do to the thoughts of the Fiat workers in Turin Or to listen to New Order, collaborate with New Order or read Ricks on Larkin in the New York Review of Books he did live long enough for that but, who knows, did he? What Stevie Smith did for waving, what Fiat in Turin did for Italian workplace relations, what Juliana did for the mower and his thoughts, for Marvell and his future availability, you, and the light of the future, which no shade can hope to alleviate, do to the two of us, and to adjust, to me Read the rest of Overland 229 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Michael Farrell Originally from Bombala, NSW, Michael Farrell is a Melbourne-based poet, with a collage practice which can be seen on instagram @limechax. Googlecholia is out now from Giramondo. More by Michael Farrell › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 27 November 202427 November 2024 · Cartoons So much to tell you: or, piercing plant tissue with needle-like mouth-parts Sofia Sabbagh Looking for things meant I could enjoy the feeling in my body. Something like hope, or friendship. 25 November 202425 November 2024 · Reviews Poetic sustenance: a close reading of Ellen van Neerven’s “Finger Limes” Liliana Mansergh As a poem attuned to form, embodiment, sensory experience and memory, van Neerven’s “Finger Limes” presents an intricate meditation on poetic sustenance and survival. Its riddling currents exemplify how poetry is not sustained along a linear axis but unfolds in eddies and counter currents.