Published in Overland Issue 229 Summer 2017 · Uncategorized Clean surfaces Nicholas Powell In ‘learn’ mode, stepping back through equations, cut grass, considerable geraniums just to get to where the circles meet. Obeying the plates, the quick current’s rolling-pin deposits us far from the flag. The grump lugs it back from the swamp. A flashing display indicates that the limits of his mob device have been violated. The point at which you enter and we rub together our ‘big pictures’ exceeding his or her weekly goals remains fuel for the mouthful reporting from the scene, a populist sleuth. You’d like to know the slope, keep count of each clear memory and advance after re-entering the value; that’s the shrewd driver in you, counting the corroded days. Our formula: float on top of a weird award. Airing the room lifts a grey layer from an ashtray; immaterial under the curve of some of what you’ve seen from the store to which you’re assigned. Read the rest of Overland 229 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Nicholas Powell Nicholas Powell is an Australian poet and the author of Water Mirrors (UQP). His second collection, Trap Landscape, is forthcoming. He has lived in Finland since 2012. More by Nicholas Powell › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying. 18 December 202418 December 2024 · Nakata Brophy Prize Dawning in the rivulet of my father’s mourning Yasmin Smith My father floats words down Toonooba each morning. They arrive to me by noon. / Nothing diminishes in his unfolding, not even the currents in midwinter June. / He narrates the sky prehistorically like a cadence cutting him into deluge.