Published in Overland Issue 224 Spring 2016 · Uncategorized Stranger, Grandfather Zoe Barnard Never knew you properly in the fifteen years our lives overlapped. This great expanse of country always lay between us. Don’t even know what I don’t know about you. About the life of a military man who seemed so gentle and quiet that I couldn’t picture him in uniform. And I don’t want to ask because it’s been years but tears are still fresh in everyone’s eyes and it seems a bit late now. One thing I do know besides your need for thick glasses and your indifference toward disappearing hair, was your love of the garden below your house. Of the cherries you grew and picked and presented to me in a mug one morning during my visit, six months before the cancer came. I’ve never liked cherries. And I couldn’t swallow them even for you. I left them there in the fridge, left you with them and flew back home. Zoe Barnard Zoë Barnard is a freelance editor and writer, who lives and works in Perth. More by Zoe Barnard › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.