Published in Overland Issue 221 Summer 2015 · Uncategorized Overland 221 Jacinda Woodhead The end of 2015 is an unusual time politically – a period when the International Brigades are invoked as justification to bomb Syria, even as transgender rights are finally central to debates about identity. Are we on the precipice of transformation or in the eye of the storm? These are the questions elicited by the writings in this edition, such as in Sam Wallman’s reportage about refuge and its refusal in Europe, which calls to mind Dorothy Hewett’s ‘Exodus’: this unmourned multitude who trudge across earth’s thunderous surface Belgrade to Kosovo to Baghdad burning. Elsewhere in the edition, Ben Eltham weighs up the correlation between arts funding and ‘excellence’, Eliora Avraham pens a manifesto for transgender justice, and Sophie Cunningham documents inequality and resistance in America’s most expensive city. There’s also Lauren Carroll Harris’s interrogation of art in the academy, Simon Gennard on Guglielmo Marconi’s slippery self-mythologising, and Laurie Penny’s expose of Facebook’s identity issues. This edition contains the winners of the 2015 Victoria University Short Story Prize – Barry Lee Thompson, Jennifer Down and Genevieve Poetka – and this year’s Story Wine Prize, Melissa Manning. The poetry here is Peter Minter’s last selection for us. Peter has been a magnificent editor – his sharp eye, aesthetic and political sensibilities, and indefatigability will be missed, but he leaves behind a thriving poetry community. On a sad note, we also pay tribute to Professor John McLaren, former Overland editor and patron, and founder of the modern Australian Book Review, who died on 4 December. He was a man of letters and the Left until the end. In the coming year, let us continue to resist indifference, or as Natalie Harkin puts it: These days I think of the women who fought and loved so hard I raise my hand catch their last breath with clenched-fist-resist To read the rest of Overland #221. To subscribe. Jacinda Woodhead Jacinda Woodhead is a former editor of Overland and current law student. More by Jacinda Woodhead › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 18 December 202418 December 2024 · Nakata Brophy Prize Dawning in the rivulet of my father’s mourning Yasmin Smith My father floats words down Toonooba each morning. They arrive to me by noon. / Nothing diminishes in his unfolding, not even the currents in midwinter June. / He narrates the sky prehistorically like a cadence cutting him into deluge. 16 December 202416 December 2024 · Palestine Learning to see in the dark Alison Martin Images can represent a splice of reality from the other side of the world, mirror truths about ourselves and our collective humanity we can hardly bear to face. But we can also use them to recognise the patterns of dehumanisation that have manifested throughout history, and prevent their awful conclusions in the present. To rewrite in real time our most shameful histories before they are re-made on the world stage and in our social media feeds.