Published in Overland Issue 221 Summer 2015 · Uncategorized Issue 221 Editorial team REGULARS Editorial Alison Croggon Mel Campbell Stephen Wright Giovanni Tiso Contributors FEATURES Ben Eltham The excellence criterion The future of arts funding Laurie Penny Facebook absolution On corporate policing of identity Eliora Avraham Transgender justice A manifesto Sam Wallman Ain’t no border high enough Crossing Fortress Europe Jessie Webb Reading machines The need to speed-read Sophie Cunningham Gold rush Housing politics in the Mission District Lauren Carroll Harris Are Australian universities creating good artists? Capitalism and the canvas Simon Gennard Simply air vibrating The myths of Master Marconi FICTION 2015 VU Short Story Prize report Barry Lee Thompson First place: Their cruel routines Jennifer Down Runner-up: Alpine Road Genevieve Poetka Runner-up: Faking 2015 Story Wine Prize report Melissa Manning Woodsmoke POETRY joanne Burns breakfast at the end of a financial year john Kinsella Madingley Vanessa Kirkpatrick Night air Cameron Lowe Glow Fuse Kevin gillam ’73 Derek Motion pages Philip Neilsen Noosa Beach Joel Scott Trauerring Jason Walker Tamarisk Deb Westbury Magnetic Poetry Kit – mostly found Editorial team More by Editorial team › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 November 202420 November 2024 · Solidarity A culture of repression: how Australian universities and institutions are responding to Palestine solidarity Andrew Brooks and Lana Tatour In the face of genocide and apartheid, the Federal Government’s response has not been to impose sanctions on Israel, but rather to open a parliamentary inquiry into antisemitism on campuses that acquiesces to the political pressures of Zionist lobbying and empowers university administrators to repress pro-Palestinian activism under the guise of safety and inclusion. 18 November 2024 · Art Art and ethics in death: the case of Vivian Maier Maks Sipowicz In the internet age we have the means to make Vivan Maier's photographs and materials available to everyone, preserved and displayed, away from the necromantic urges of capital accumulation at the expense of a dead artist.
