Published in Overland Issue 217 Summer 2014 · Uncategorized Dinosaur Brendan McDougall curled up in a dead world now underground, stroking brontosaurus’ long, fictional neck & you can’t help but see yourself in the kitchen light’s reflection on the screen. He eats leaves as you watch his wise eyes watching for predators blink & the wind tears away his name like flesh, heating and cracking apart his bones & you’re sad, for a little while, or at least until you remember the papers your father signed at birth proving you were something and that that something was his & besides, this is Australia, a country built on digging up skeletons so even if they lose the paperwork your bones will always be your bones & when they come back for you because some southern-crossed lover needs unleaded to floor himself into the same tree his dad did all those years ago killing himself & passengers, well, then you’ll roar Brendan McDougall Brendan McDougall studies literature at the University of Melbourne and is from Ballarat. More by Brendan McDougall › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.