Published in Overland Issue 217 Summer 2014 · Uncategorized Foxes strung up on fence on Toodyay-Bindi Bindi Road: in the accusative John Kinsella On land cleared to a few trees you say you’re protecting native wildlife (but not kangaroos, because ‘they’re feral by any other definition’); you tell us that you’re a safe user of firearms, protecting lambs you’ll send to slaughter; you string foxes up on fences so the public can know what it’s like to fight for a cause, corpses of enemies piled high for the townsfolk to file past and know the cost of battle. The cost of the kill, pride in marksmanship, celebration and mateship. Your triumphs are the triumphs of ancient Rome, of death squads anywhere anytime; such a timeless occupation. Good thing there’s no bounty on animal libbers and greenies, as you might just be tempted to break the rule of robotics not to kill humans; for the general good, the cause. Foxes strung out on a fence show us you’ll stand up and be counted, O mighty warriors of the farmlands. We’ve known your spotlights probe into our houses at night. We live with that. We catch our breath and watch our words. The dead fox. The dead cat. The dead roo. The dead the dead the dead. John Kinsella John Kinsella’s collected poems have been published by UWAP as The Ascension of Sheep (2022), Harsh Hakea (2023) and Spirals (early 2024). His verse novel Cellnight appeared with Transit Lounge in 2023, and his anti-epic, Argonautica Inlandica, with Vagabond (2023). A recent critical work is Legibility: An Anti-fascist Poetics (Palgrave, 2022). More by John Kinsella › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 27 November 202427 November 2024 · Cartoons So much to tell you: or, piercing plant tissue with needle-like mouth-parts Sofia Sabbagh Looking for things meant I could enjoy the feeling in my body. Something like hope, or friendship. 25 November 202425 November 2024 · Reviews Poetic sustenance: a close reading of Ellen van Neerven’s “Finger Limes” Liliana Mansergh As a poem attuned to form, embodiment, sensory experience and memory, van Neerven’s “Finger Limes” presents an intricate meditation on poetic sustenance and survival. Its riddling currents exemplify how poetry is not sustained along a linear axis but unfolds in eddies and counter currents.