Published in Overland Issue 217 Summer 2014 · Uncategorized I wrote lines during a period of insanity, too Emily Stewart after Gig Ryan Flung them on the riverbed which flooded that week next. Not short of invectives, I cursed pebbles as flint, startling the public of Wagga Caravan Park like a goanna loosed under leaves. What rot, said some, and I did believe them – with the brute finality of a gum limb struck down for brooms. Good-bye seventh sister, with your holy plaintive wings. Good-bye this underdress of drenched silk Dear accomplice, I can’t stand this ratio. The timbre of lunatic meets. Let us choose a better mooring for slugging bottles next; let us be less regretful. When did time start angling in, so diagrammatic, so anodyne? I hunker with a slew of digressions, mostly physical, layabouts, greying husks, what-have-yous. This night of nights features one darling wedding then the next: a blouse and blooms revue, or instances awaiting a long car trip home where I’ll couch tomorrow’s ache as somehow edifying Emily Stewart Emily Stewart is a poet and freelance editor based in Sydney. More by Emily Stewart › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 1 6 November 2026 · Friday Fiction Headland Harry Goddard He must have still been sore. I could tell from the winces he made as he scooted down the trail. Some unspoken agreement of not hitting other people’s children — and the circumstances of me not being that type of kid — spared me from the same punishment. I was taken to my parents who agreed I would have to work off the damages, and I must have mowed the lawn once, or cleaned the family car. 4 November 2026 · Film MIFF, Minotaur and the politics of maternal reception Alicia Byrnes Maternal labour is, in the terms I’ve set out here, not labour at all. Noisy, unfocused, mobile, perhaps even sleepy — it is an affront to arthouse film viewing and therefore unserious.