Published in Overland Issue 215 Winter 2014 · Writing / Reading Fancy cuts: an introduction Jennifer Mills There has, in recent years, been a push to rescue various ‘lost’ writers from obscurity. And yet the short story is a literary form deeply embedded in its time. Much of the energy that has sustained Overland throughout the years derives from its contemporaneity – its commitment to the urgent, emerging or marginalised voices of its day. For Overland’s diamond jubilee, I wanted to acknowledge the incredible legacy of writing that sixty years of short stories represents but also continue a tradition of keeping our eyes on the present day, and facing the future – a future which demands fresh imaginative reach. A ‘fancy cut’ is a non-traditional way of shaping a diamond, allowing the cutter to follow the outline the rough stone suggests, or to carve a pattern of their own liking. In 2014, Overland has commissioned four contemporary writers to contribute a short story that responds in some way to a piece of fiction from our sixty years of archives. In shaping their responses, we have asked these writers to take any facet they wish – voice, character, setting, a moment in time – and make it their own. The second of these Fancy Cuts is from Tara Cartland, who won the inaugural Overland Victoria University Short Story Prize in 2012. Cartland’s story ‘Nativity’ began with Katharine Susannah Prichard’s story ‘Josephina Anna Maria’, first published in Overland in June 1958. Prichard’s story is republished at overland.org.au. Jennifer Mills Jennifer Mills was Overland fiction editor between 2012 and 2018. Her latest novel, The Airways, is out through Picador. More by Jennifer Mills › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 17 July 202417 July 2024 · Writing “What is it that remains of us now”: witnessing the war on Palestine with Suheir Hammad Dashiell Moore The flame of her poetry scorches the states of exceptions that allow individual and state-sponsored violence to continue, unjustified, and unhistoricised. As we engage with her work, we are reminded that "chronic survival" is not merely an act of enduring but a profound declaration of existence. 5 February 202417 February 2024 · Writing Here and now: our call for justice and liberation Tzedek Collective Our community is one of action and activism, informed by histories and imaginings of Jewish and other resistance. In our anticolonial work, we are explicitly anti-Zionist and work for a free Palestine. We take on this work not to centre or salvage Judaism and Jewishness, but to oppose settler colonialism in all its forms, and to acknowledge the specific and necessary role of Jewish anti-Zionists in opposing violence done in our names.
