Published in Overland Issue · Uncategorized Textual skyline Jason Nelson Follow this link to launch the poem. Jason Nelson Born from the Oklahoma flatlands of farmers and spring thunderstorms, Jason Nelson somehow stumbled into creating awkward and wondrous digital poems and interactive stories of odd lives, building confounding art games and all manner of curious digital creatures. Currently he professes Net Art and Electronic Literature at Australia’s Griffith University on the Gold Coast’s contradictory shores. Aside from coaxing his students into breaking, playing and morphing their creativity with all manner of technologies, he exhibits widely in galleries and journals, with work featured around globe at FILE, ACM, LEA, ISEA, ACM, ELO and dozens of other acronyms. There are awards to list (Paris Biennale Media Poetry Prize),organisational boards he frequents (Australia Council Literature Board), and numerous other accolades (Webby Award), but in the web-based realm where his work resides, Jason is most proud of the millions of visitors his artwork/digital poetry portal secrettechnology.com attracts each year. More by Jason Nelson › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 18 October 202418 October 2024 · Prizes Announcing the Nakata Brophy Prize for Young Indigenous Writers 2024 shortlist Editorial Team Sponsored by Trinity College at the University of Melbourne and supporters, the Nakata Brophy Prize for Young Indigenous Writers, established in 2014 and now in its ninth year, recognises the talent of young Indigenous writers across Australia. First prize includes $5000, an optional writing residency at Trinity College, and publication of the successful piece in […] 18 October 202418 October 2024 · Palestine See you on Sunday Tasnim Mahmoud Sammak A Palestinian is not odd at a Free Palestine action, I'm the assumed subject of these political activities. Most members of the public opposed to the state's alliance with the Zionist regime are not Palestinian, yet they have shown up for Palestine in the longest protests in modern history. They show up because they care. They care about the state of the world. They care about the state of this nation.