Published 15 March 201315 March 2013 · Writing Results of the 2012 Overland Judith Wright Poetry Prize Editorial team Announcing the results of the Overland Judith Wright Poetry Prize for New and Emerging Poets The $6000 major prize in the Overland Judith Wright Poetry Prize for New and Emerging Poets has been won by Luke Fischer with his poem, ‘Augury?’ The second place, a prize of $2000, has been awarded to Fiona Hile for ‘The owl of Lascaux’, with the third prize, of $1000, awarded to Myles Gough for ‘The watchmaker’s wrath’. The Overland Judith Wright Poetry Prize is one of the most lucrative and prestigious literary prizes in Australia, and is the only major prize dedicated to new and emerging poets. The prize was judged by Overland poetry editor, Peter Minter. In his judge’s report, Minter describes ‘Augury?’ as a contemporary ‘ramble poem’, a genre with a rich history ‘where the complexities of human ambivalences are made ineluctably central to the experience of nature’. Fischer’s poem, Minter says, ‘balances epistemological certitude on a hinge of doubt’. All three poems, along with Minter’s report, will be published in Overland 210, which is currently at the printers. ‘All the poems stand out for being “honest and well crafted”,’ writes Minter. ‘To witness such aesthetic authenticity in the writing of new and emerging poets is the great gift of the Overland Judith Wright Poetry Prize for New and Emerging Poets.’ The prize, made possible with the generous support of the Malcolm Robertson Foundation, will re-open on 1 September, 2013. In the meantime, consider taking out a subscription to Overland, ensuring you’re one of the first to read these prize-winning poems. Editorial team More by Editorial team › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 11 December 202411 December 2024 · Writing The trouble Ken Bolton’s poems make for me, specifically, at the moment Linda Marie Walker These poems doom me to my chair and table and computer. I knew it was all downhill from here, at this age, but it’s been confirmed. My mind remains town-size, hemmed in by pine plantations and kanite walls and flat swampy land and hills called “mountains”. 17 July 202417 July 2024 · Writing “What is it that remains of us now”: witnessing the war on Palestine with Suheir Hammad Dashiell Moore The flame of her poetry scorches the states of exceptions that allow individual and state-sponsored violence to continue, unjustified, and unhistoricised. As we engage with her work, we are reminded that "chronic survival" is not merely an act of enduring but a profound declaration of existence.