Published in Overland Issue 207 Winter 2012 · Uncategorized Your Bath Fiona Yardley Your bath is generous, impersonal, whitely curved, bloated with self-importance and scummed with a delicate rim of grime. There are scratches in the bottom from careless cleaning, cluttered shampoo bottles with last leavings, half-inches of pearlescent fluid; hairs of all thicknesses and lengths; and dust, and fluff from fresh-washed towels, and striped sunshine. I have left blood, skin, tears, in your bath, every cadence of my voice, sudden laughter. I have been ill, heaved coughing mucus out of heavy lungs, pissed dark streams after dark dreams into the cold porcelain of thoughtless hungover mornings while soaping moody feet. I have stood, washed, picked, scratched away at myself, rubbed skin and hair off my body, scraped razorblades past urgent throbbing veins on marble-white, deforested skin, to be smooth, left the short bristled leavings of ablution curved in gentle interrogatives around the plughole. I have left songs in your bath, so-fa-lahs and tumpty-tums, mellow chords and gentle hums, the echoes of our mingled voices spilling in generous swirls around and around and into the drain. I have cried in caught moments of pure and blazing passion, in joy, in utter despair, wrung out my heart into the sponge and the towel, curled gasping, fishlike, flank to flank with its porcelain sides while eddies of cooler water pool about my thighs and streams run into and out of my eyes. Fiona Yardley Fiona Yardley is a writer, editor, and cultural worker in Sydney. More by Fiona Yardley › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.