Published in Overland Issue 207 Winter 2012 · Uncategorized Islands Andy Quan I am sleeping tonight side by side with my mother on spring and feather, matching queen-sized mattresses, in the adjoining room my brother and his family. We’ve escaped Vancouver where father has died for Victoria’s quaint tea and saucers, halibut and chips, cream-filled chocolates, Salish art, a visit to eldest brother’s duplex, parks for the grandkids to run free. Distract us. Today, I leveraged grief for a table at a packed restaurant. How long can we get away with that? Mom ponders. Now, she surprises me, channel- surfing: CSI New York, Evening News. Rest is all I want, the narrow corridor between our beds, thirty-five years between us, our islands of sorrow barely visible to each other but I understand my role as company, as witness. Andy Quan Andy Quan is the author of four books, including two books of poetry, the most recent of which is Bowling Pin Fire. He has lived in Sydney since 1999 where he edits, writes, cycles, facebooks, watches reality TV cooking shows and coaxes rainbow lorikeets to his balcony. Visit him here at www.andyquan.com. More by Andy Quan › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 10 April 202610 April 2026 · open letter Open letter: RMIT staff and students oppose disciplinary action against Gemma Seymour over video opposing links to weapons ties RMIT University Staff and Students Freedom of speech and expression is absolutely vital in academic institutions. Students who engage in activism should not be punished for doing so, and discipline procedures are not there to be abused as a tool of intimidation. We call for the disciplinary process against Gemma to cease immediately. 9 April 202610 April 2026 · CoPower Against the will to engineer: Richard King’s Brave New Wild Ben Brooker The response demanded of us in the twenty-first century must operate at the level of metaphysics as well as the material, addressing our underlying assumptions about the instrumentalisation of nature and what constitutes a meaningful life in the face of technology’s relentless advance. To neglect that deeper terrain is to concede, in advance, the very ground on which our resistance to the machine must stand.