Published in Overland Issue 201 Summer 2010 · Writing / Main Posts Homecoming David Musgrave Sun-damaged, sporty, wearing tracky-daks, passengers can’t be told from cabin crew apart from their uniforms, their Australian chilliness; hedonists mostly, serious adepts of physis, puritanical, wary of alien cuisines, monolingual – all of them start relaxing as cabin crew cross-check, landing gear lowers, ailerons bristle, engines sough and earth climbs. Longitude-trekkers, these new internationalists humbled by nothing, not even their ignorance, chattering blithely, wonder aloud how home has changed in their absence. It hasn’t, but they have. The world has reduced them to miniature giants approaching a sparsely rich country, mulletocratic, athlete-revering, distrustful of politics, obedient. It’s all about making money now, caring for investments as if they were souls, or as if there was no such thing as a soul, or like, whatever. Closer inspection, though, reveals great variety: Shanghai-Chinese returning to investment properties; Heibei tycoons, cashed up and itching to visit the casino; taffy-haired surfers who get on at Cairns and stink of wine-garlic night-before-breath; Euro-tanned backpackers, double-chinned – even the fittest are Maillol-limbed beauties; experts in security returning from Guangzhou to Punchbowl; aromatherapists fresh from new franchises; teachers of English and commerce students back for one more semester. Where are the famous, the rich and powerful? Prize-winning architects returning from Chengdu with the Astrodome contract? Investment bankers from Stanmore? Fact-finding pollies? Business or first class, economy, it doesn’t matter: pig-tailed professionals or t-shirted, unkempt and scolding their children, they all speak the same vulgar-demotic. Even the hosties are customers somewhere or other. Difference is not really monetary – it’s an asset. As wheels kiss the tarmac, dawn strips them bare: so ugly they’re beautiful. David Musgrave David Musgrave is a poet, critic, novelist and publisher at Puncher & Wattmann. His latest books are Phantom Limb (John Leonard Press) and Glissando: A Melodrama (Sleepers Publishing). More by David Musgrave › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 8 November 20248 November 2024 · Poetry Announcing the final results of the 2024 Nakata Brophy Prize for Young Indigenous Writers Editorial Team After careful consideration, judges Karen Wyld and Eugenia Flynn have selected first place and two runners-up to form the final results of this year’s Nakata Brophy Prize! 4 October 202418 October 2024 · Main Posts Announcing the Nakata Brophy Prize for Young Indigenous Writers 2024 longlist Editorial Team Sponsored by Trinity College at the University of Melbourne and supporters, the Nakata Brophy Prize for Young Indigenous Writers, established in 2014 and now in its ninth year, recognises the talent of young Indigenous writers across Australia.