3 songs for Charles Darwin


for Daniel Syson

“Pasture everywhere is so thin that settlers have already pushed far into the interior: moreover the country further inland becomes extremely poor. Agriculture can never succeed on an extended scale: therefore, as far as I can see, Australia must ultimately depend on being the centre of commerce for the Southern hemisphere, and perhaps on her future manufactories. Possessing coal, she always has the motive power at hand. From the habitable country along the coast, and from her English extraction, she is sure to be a maritime nation.”
Charles Darwin


1) the bush

Agriculture can never succeed
on an extended scale


1

begins with languor,
the past tense of caress
which, besides flies & heat haze
post stress,
the intense air supplies — no ostrich feather fans
or punkahs needed — just to be at rest.
a stone that sweats
(at least that’s how it seems
to a mind
like a cloudy billabong
trained to believe
all floods recede,
all breezes die away)

2
here,
the only precision’s / a scribbled
gumtree calligraphy,
so exact against the blue
it could almost be
that subtle code
by which the blacks / could read
their country
& themselves
& our scabbed ancestors
in a shamed rage against complexity,
killed them off to deny
(Snyder, a terrible
bone pointing
Martini — Henri,
white
kaditcha man)
“Not killed” they’d say,
“How do you slay a kangaroo,
how do you murder a tree?” —
speared cattle the merest —
“this race, sir
is finished,
finished I say!” — speared cattle,
speared cattle the merest excuse.

3
on a stump
grubbed up
or jumped
tabula rasa, their farms were Platonic
like machines
but fudged,
& bodgy like their style: she’ll be right
they said,
she’ll be right / but she — wrenched
to their scorched
& hobbled
pastoral —
she wasn’t
& salt ruins the fertile
irrigated acres,
undermines the Memorial Swimming Pool

4
for J.K.

yet we,
more parasite still / are most like them
denying “Australia”
— weep when you read Hope’s poem
or Ian Mudie’s
forgotten catalogue, don’t sneer:
“You know what’s wrong
with this place?”
of Cambridge, England John Kinsella said,
“you can’t be a dickhead here,
not for a moment!”
“Well” reply
6 generations plus ring-ins plus me
“You can always try”
mentally hurling
half empty cans
at dons on bikes
by greens that centuries of topsoil
& power
make jewel like
pointless imitating / especially now
even Melbourne’s vowels decay
& the Australian of high (intellectual) degree
sits, at least ideally,
in a suburb
not carved or caressed by the heat,
not wearing stubbies
in the dust,
not sweating
after work,
not under the shade
of a Coolibah tree,
asleep.

2) The First Fleet Asleep

and from her English extraction,
she is sure to be a maritime
nation


still sitting &
ex cathedra
in Speedos & speaking
from a sweaty, split banana chair,
watch
turbid coils of blue-green algae
bloom in the heat / its
smell plus heavy metal chemicals
in even the cleanest seeming
rain forest creek
suggest
The First Fleet’s first mistake—
i.e. leaving the beach
where cocking their cocked hats,
horse hair wigs
or any other
shady take
on 18th Century sensibility
e.g. “hands to skylark”
(then collapse) or “Caringbah!
that bosky dell!”
The First Fleet, as if
in some chaste & English Lusiad
should have gone to sleep / their pink
as yet unzinced pale faces
snoring beneath each hand made
idea of shade
like sail cloth sunhats
run up from pursers slops /
white dreaming maybe leaving
convicts scattered
up & down that protein rich
but subtle coast:
at least their offspring wouldn’t be
like those famous runaways
all Irish
Tench notes,
so entertaining setting out
continually for China,
200 years too early
like us, 200 years too late

3) the beach

From the habitable country
along the coast

dropped ice—
cream licked
despite grit
on your tongue,
vivid towels & the tang of ozone
overlaid with cooking oil & sunblock
plus waves & heads
bobbing out the back
constitute, for us at least,
a synthetic a priori that is a poem
not like this /
a cleaver, preaching
trinket at its best
— Mine tinkit they fit! —
but the seagull & p.a.’d Top Forty
punctuated song
of where we, the overseas Australians,
belong.

John Forbes

John Forbes was an Australian poet whose published books of poetry include Tropical Skiing, The Stunned Mullet, and Damaged Glamour. He died of a heart attack in 1998 at the age of forty-seven. His Collected Poems 1970–1998 was published by Brandl & Schlesinger in 2001.

More by John Forbes ›

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