Published 18 August 202322 August 2023 · Poetry / Friday Poetry Poetry | It’s changing / now Jill Jones Futurity begins now with leftovers sunglasses trying too hard along with cheapskates a kind of pink plastic essence * Destiny stinks! * What if we went crazy in the carpark a scuffle on the grease The green bag is torn beside it, a line of ants working hidden in the glare * What now! The serious stuff goes underground That’s some claustrophobia Above it the blue west telling its bells * The way cars and feelings saunter I’m watching too though my mask interrupts I fold like bark slouching from the gum tree * The quickness of viruses stays true * The world has changed It was changing this morning It’s changing now It was taller then It’s thicker now Birds hang from it in alarm Clouds drift through its grey and white as nightmares or questions A river that wasn’t there before * Night’s in a rush I hear it crushing the hills and networks Without complaint the birds are gone into wherever the gone goes * I wander from tides into walls * Every pebble, blade and splinter moving the air Inhuman touch makes me glad and scared If things were holy this may be it * Scrambling * I can’t keep up as water falls Jill Jones Jill Jones lives and works on unceded Kaurna land. Her latest book is Wild Curious Air, winner of the 2021 Wesley Michel Wright Prize. In 2015 she won the Victorian Premier’s Prize for Poetry for The Beautiful Anxiety. Her work is widely published in Australia, Canada, Ireland, NZ, Singapore, Sweden, UK, and USA and has been translated into a number of languages. She has worked as an academic, arts administrator, journalist, and book editor. More by Jill Jones › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 8 September 202312 September 2023 · Poetry Poetry | Games Heather Taylor-Johnson Days pinch and lately I’ve noticed every time I look in the mirror I’m squinting—maybe it’s a grimace. Without trying I’ve mastered the façade of a Besser block threatened by a mallet, by which I mean maybe the world won’t kill me but it’ll definitely hurt and I’ve got to be ready. First published in Overland Issue 228 31 August 20236 September 2023 · Poetry Verbing the apocalypse: Alison Croggon’s Rilke Josie/Jocelyn Suzanne ‘This again?’ and ‘why now? Why not years ago?’ are the two questions raised in each new translation of a non-English piece of Western Canon. There’s an understanding—of course a poetic cycle like the Duino Elegies is incomplete in English, there are endless new readings—and a simultaneous sense of wounded pride/suspicion: what was missing the last time around? What were you concealing from me? What are you concealing now?