Published 9 September 202226 September 2022 · Poetry / Friday Poetry Poetry | // City Loop // Jean Velasco I wake up, standing to a horizontal glare in eyes I can’t remember shutting on a platform at a station of a line that must be elsewhere Where the night chill pricks like daybreak a helium confusion at being alive and born clothed – – – – – – – A few minutes past seven, the cashier hands back the card that was cutting a rectangle under my underwear. The card that has been tried, and cleared of sweat. But the signal proves the theory of the woman, who is sad despite her earrings. She says this is my third attempt at buying the very same sausage roll, and asks me Where my bag is, and is there Anyone she can call? – – – – – – – Technically, my eyes were open the whole time, and it was me who did the unbuckling – before the black cat glitched, and I flipped/ out, accused the silent fucker (myself) of betraying benign conversation and a friend – until, introducing himself from behind, as nobody I know an un/welcome whisper saves at least one part of me from collapse – – – – – – – Waiting for the first train, on the front room floor where the blinds are drawn, I underhear them warp while secretly scouring the carpet for parentheses (a callous gust of muscle, or, flash of tipping alley, the shame of exile (for the empty-handed crime of possession: daring, for just a second, to let my eyes close in the bar)) – – – – – – – Intrepid, we are a land-bound pigeon, clambering diagonal fences to nest. And wake, recoiling from a kitten in the arms of a child also cowering, behind a bigger child, who confronts me sideways: hands on hips like a diamond, backlit by an estate-agent’s delight. When we make them vertical, the children double undouble and quake Their mother will be home soon, this is not your house and could you please just go – – – – – – – At the convenience store, I appeal to the night staff again, hounded by pity and an ancient man whose eyes are as yellow as the dirty coins he pushes into my hands, crying with mistaken penance for abandoning me in a violence pre-dating my birth – – – – – – – Heavy, with the absence of belongings, I’m unable to stand the reverb of a familiar voice across the tracks: / The eleven-twenty-seven to Flinders Street / Stops all stations / Now departing / for a terminal where unclaimed coupons clog the vortex I keep for getting to touch off Jean Velasco Jean Velasco is a teacher, writer, and translator from Naarm/Melbourne who lives in Madrid. Her work has appeared in Kill Your Darlings, Going Down Swinging, Rabbit Poetry, and Growing Up Queer in Australia. She can be found online @jean_sprout More by Jean Velasco › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 8 November 20248 November 2024 · Poetry Announcing the final results of the 2024 Nakata Brophy Prize for Young Indigenous Writers Editorial Team After careful consideration, judges Karen Wyld and Eugenia Flynn have selected first place and two runners-up to form the final results of this year’s Nakata Brophy Prize! 6 November 20246 November 2024 · Poetry TV Times Kate Lilley I try out for Can Can after school / knowing I’m not cut out for the high kicks / Ballads chansons show tunes ok / I can belt out Judy Garland and all the songs from Oliver / “Who Will Buy”/”As Long as He Needs Me” / Wher-e-e-e-ere is love